A recap of Spring 2017- better late than never

Phew… well it has been a while since I’ve posted.  Each time I have stopped into the studio I have reminded myself to get on here and post my end of semester work with an update and yet somehow it always manages to get tossed aside.  So, alas! All those that have been anxiously waiting, (no one), here it is!

 

 

I finished the semester with 4 finished pieces.  There are some questions remaining, things that could be further pushed and/or explored but overall I am happy with the result and was confident in what I had produced.  Just a month or so before the end of the semester I was having a total mental breakdown thinking I would have nothing to produce, so although 4 pieces may not seem like much- they felt like quite an accomplishment to me.   Below are images of the works before they were installed in the Beeler Lobby for the 2017 CHROMA exhibit.  If you live locally in Columbus I encourage you to stop by and check them out.  I won’t say much as I could really write forever about the struggles that I had throughout this semester and the resulting works, but instead I will leave you with my artist statement a brief description of the process and materials along with photos of the works allowing them all to work together and speak for each other.

Materials/Process:

A series of 4 crocheted photographs printed on silk and cotton fabrics, cut up and created into a yarn like structure, then finger crocheted.

Statement:

Over the past year I have watched my twin sister transition from college graduate to full time teacher, fiancé, and mom to two pets. She shares a home with her partner and they plan to be married in October of this coming year. Within this home structure she fulfills a very typical housewife role completing all the traditional domestic chores while her future husband tends to the “outside work.” I have observed her frustrations and stresses as she struggles to fulfill the role of “housewife” on top of her daily regime and very much have been frustrated by these expectations that have been set for her.

Using a camera to document this personal history as well as a collective of couples around the Midwest these photographs depict domestic interiors cut up, crocheted, and restructured creating a new image entirely. The crocheting process serves as a means to bring power to women’s craftwork while reconstructing and reconfiguring the domestic space offering redefinition of roles, ideas, and expectations within that setting.

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Crochet images 

After a stressful day and a brief mental breakdown, I took the afternoon to reclaim some of my fabric image scraps from last semester. I cut them down into about 1/2″ or 1/4″ strips and connected them to create a length of “yarn.”  I then hand crocheted the images together. 
Recently I have been exploring a lot with materials and process. I’ve hit a pretty hard wall it feels and for a while felt like I lost a large creative drive because I was stressing myself so much about content. I’ve been doing my best to put that all aside and just make for the sake of making- go back to just allowing myself to be a creative thinker and artist the way I know how to. 

So here’s some images of my experiment from the evening- not quite finished and it’s definitely something I’d like to continue to develop. 

Cats and Collages 

I am officially a crazy cat lady. Finally we’re back in Columbus after a wedding weekend and some time spent at home to see family. I’m still in an odd place with my work. Not knowing what to make or how to bring it all together. Nonetheless I am trying my best to create something and I am starting with collage. 

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Women’s work: Blue collar

“A blue collar is a working-class person historically defined by hourly rates of pay and manual labor. A blue collar worker refers to the fact that most manual laborers at the turn of the century wore blue shirts, which could hold a little dirt around the collar without standing out.”

 

Not only do I find an interesting metaphor in silk with its transparency and the transparency or invisibility of women’s work- but also I find a very interesting parallel between women’s work and blue collar work.  So often blue collar work is overlooked and undervalued, similar in the way housework and women’s work is overlooked and undervalued.  Both receive very little praise or appreciation for the work that they complete.

 

I am anxious to see how I can make this metaphor part of my work as well…the ideas are brewing.

The cost of being a woman

As a photographer I am interested in the domestic space and the roles that both men and women play within that space, specifically one that is shared. There is a variety of statistical analysis and studies that have been reported by sociologists as well as the U.S. Bureau of Labor Statistics that state, even in 2015, although strides have been made, women are still doing more housework than men. Arlie Russell Hochschild describes housework and caring for children as a kind of “second shift” that a woman must work after being at a regular full time job all day. I am largely interested in creating photographic work revolving around this underlying expectation created for women while also incorporating craftwork aesthetically within the photographs. My work currently is a documentation and exploration of the domestic space itself as a means to research current men and women in their domestic spaces leading eventually to a more concise and specific narrative regarding what many would deem as “women’s work.”